Disk of 2017 > Clasic
Pianist Jan Lisiecki Plays Felix Mendelssohn - Music box, February 18th 2019
The record, released on the 1st of February under the Deutsche Grammophon record label: pieces by Felix Mendelssohn, played by the Polish-Canadian
pianist Jan Lisiecki. This is the fifth record released by the 23-year-old
pianist under the yellow logo of the famous German record label. He explored
repertoires by Mozart, Chopin and
Schumann. In 2019 Jan Lisiecki explores Felix Mendelssohn's universe - two concertos for piano
and orchestra and pieces for solo piano; listening to Lisiecki's recordings, I
thought it is a pity that we don't listen to Mendelssohn's concertos for piano
and orchestra more often, it's true, they are much shorter than the great
romantic opuses, but they offer the soloist and the audience just as much.
The record is entirely dedicated to Felix Mendelssohn's music, and the
protagonist, Jan Lisiecki, insists on the order of the pieces just as they are
organized on the record. No detail is overlooked by this extraordinary pianist.
Born in 1995 to Polish parents as a Canadian citizen, Jan Lisiecki was a real
prodigy. He started playing piano when he was five years old; at nine, he
performed his first concert. His advancement was unusual, because he didn't
make a name for himself on the international stage by the prizes he won in
competitions, but by his recordings. In 2010, the Fryderyk Chopin Institute in
Warsaw drew attention to one of his recordings of Chopin's concertos, which he
did when he was 13-14 years old. The impact it had was amazing, the
international critics praising this incredibly mature and sensitive pianist. A
year later, at 15, Jan Lisiecki signed a contract with Deutsche Grammophon - all his records were considered remarkable
editorial events. At the same time, he performed all over the globe in some important
international venues, collaborating with some of the most important conductors
and orchestras in the world. In 2016 he debuted at Carnegie Hall in New York,
convincing the harshest American critics of the "extraordinary sensitivity
of his performance".
I remember the enthusiasm with which I listened to Chopin's études, recorded by Lisiecki when he was only 17 years old. It seemed impossible that such a young pianist could perform so close to perfection - technically and artistically. Since then, Jan Lisiecki improved his performance, as is evident in his interpretation of Felix Mendelssohn's Variations sérieuses.
If you listen to the record, in the recording of Concerto No. 1 you will hear the special sonority of the solo
instrument: and that is true, because Jan Lisiecki performed on a fortepiano.
Mendelssohn's concertos were recorded during a concert in Warsaw on the 22nd of
August 2018, during the "Chopin and his Europe" festival. You can also
hear the audience on that recording. The solo piano pieces were recorded by
Lisiecki the next day, the 23rd of August 2018, in the Polish Radio studio.
On August 22nd, the pianist performed together with the Orpheus Chamber Orchestra from New York without a
conductor - the instrumentalists being compelled to listen to each other more
closely than is the case in a normal orchestra. Naturally, small coordination mishaps
can always happen – and indeed it happened in this concert as well. In this
live concert, the soloist showed his extraordinary abilities - his technique,
extraordinary musicality, and exceptional ability to communicate with the
audience - so much emotion, especially during the second parts of Mendelssohn's concertos.
Seven years passed in between the composition of the two concertos for piano
and orchestra by Mendelssohn - the second concerto is darker, more hectic.
The last two pieces on the Mendelssohn record are Rondo capriccioso op. 14 and Venetian
Gondola from Songs without Words.
A poetic performance from one of the most important pianists of our time.
Translated by Alina-Nicoleta Duminicã,
MTTLC 1, Universitatea din București