Musicologist Carmen Stoianov was in charge of the introduction. She pointed out to the public the most important moments in the soprano's career, as an Opera soloist in Bucharest between 1969 and 1990.

Cornelia Angelescu graduated the Bucharest Conservatory of Music. She started her career as a solo artist when she was still in college and she dedicated the same amount of time to her teaching career as well.

During the show, the soprano felt the role of Rosina with emotional intensity. Every time she thought a gap was made, she would turn her head to the conductor's chair. Directed by Cristina Cotescu and adapted by George Teodorescu, The Barber of Seville brought freshness by emphasizing the comedy of the libretto.

Alongside baritone Iordache Basalic, tenor Valentin Racoveanu and soprano Mihaela Stanciu, the stage was also taken by Horia Sandu, Vasile Chişiu or Adriana Alexandru. Under the baton of conductor Ciprian Teodoraşcu the artists had a great performance. I noticed an adequate rhythm in the development of the stage and musical actions, which managed to successfully remove any kind of boredom.

The pauses between the acts were also active moments, as the public was given the opportunity to see an exhibition dedicated to Cornelia Angelescu: pictures, posters and memories - proof of a successful career on the lyrical stage.