One of the most distinctive voices of Radio Romania's musical programs, Sorina Goia was also a member, as an alto, of the National Chamber Choir "Madrigal." Over the years, her connection with the ensemble that shaped her artistic profile and with conductor Marin Constantin remained strong, and the interview-based broadcasts she produced with him became key references in the Radio Archive.

In 2025, we celebrate 100 years since the birth of Marin Constantin, a visionary spirit, the musician you knew very well-both as a choir member and later as a journalist. How do you remember him?

For me, "Madrigal" was a dream come true at the age of 17. In "Madrigal," I received my musical, human, and social education. I only truly understood, much later in life, how much Maestro Marin Constantin meant to me. It was the opportunity to delve into a remarkable repertoire-ranging from Byzantine monodies, medieval songs, and carols to works freshly inspired by the most dynamic contemporary composers. Above all, it meant experiencing the Maestro's gift-transforming mere scribbles on a staff into unprecedented sounds.

How was the working atmosphere during rehearsals?

"Madrigal" under Marin Constantin was autocratic-despotic, even. You needed a wild determination to want to sing there and a stubborn resilience to stay. I admired him immensely, respected him, and, at times, even hated him for the hardships he put us through in the pursuit of perfection.

What are your thoughts as you mark this centenary?

I have two strong thoughts on this anniversary. The first-eternal gratitude for everything "Madrigal" and our Maestro meant in my development as a musician, and equally, gratitude for all my colleagues who were part of this unique vocal mosaic. The second-a fervent wish for "Madrigal" to remain a cultural institution that continues to promote education, choral art, and beauty through music in a society that seems increasingly chaotic.