Nicolae Moldoveanu will conduct the National Radio Orchestra on Friday, November 8^th, 2024.

Mr. Nicolae Moldoveanu, how are the rehearsals going with the National Radio Orchestra for the Friday's concert?

I must say that it gives me great pleasure to stand once again in front of the wonderful Radio Orchestra. If I'm not mistaken, it's been about ten years since we started collaborating, and with each performance, we feel that we understand each other better. The effectiveness of our rehearsals is undeniable, and not only because of their approach, but also due to the stronger social connection between me and the ensemble members.This bond is shown in the artistic work.

How would you describe your collaboration with the violist Răzvan Popovici?

Phenomenal. It's the first time I'm working with him, although he revealed to me today that we actually met a long time ago in the United Kingdom, when I was working with the London Mozart Players and other orchestras.

What is your perspective on Mendelssohn's Symphony No. 4, the Italian?

First, I should mention that I've already conducted this Symphony No. 4, even with the Radio Orchestra, and of course, it's a classic. Personally, as a conductor, I enjoy changing up the repertoire each time. The truth is, with such a well-known piece, there are many unique and personal touches that can be brought into the interpretation. Of course, the ensemble's composition has changed since I last performed this symphony with the National Radio Orchestra- I believe it was about five years ago-so it's time to go back to it. As a famous piece, it becomes even more transparent when listened to.

How does the orchestra blend with the solo viola in Hector Berlioz's Harold in Italy?

Everyone knows there are many jokes about the viola. I'll share one of my favorites with the listeners: What's the instrument that violas like the most, aside from the viola? The harp. Why? Because it's always played pizzicato and with open strings. This is exactly what Berlioz did. He used the harp as an accompanying solo instrument for the viola, so it's actually a duet between the solo viola and the harp. Additionally, there's a sense of camaraderie between the viola section of the orchestra and the viola soloist.